Techniques
Parallel Coordinates
Robert Kosara; May 13, 2010; 7 commentsParallel coordinates are one of the most famous visualization techniques, and among the most common subjects of academic papers in visualization. While initially confusing, they are a very powerful tool for understanding multi-dimensional numerical datasets.

Understanding Pie Charts
Robert Kosara; January 12, 2010; 6 commentsPie charts are perhaps the most ubiquitous chart type; they can be found in newspapers, business reports, and many other places. But few people actually understand the function of the pie chart and how to use it properly. In addition to issues stemming from using too many categories, the biggest problem is getting the basic premise: that the pie slices sum up to a meaningful whole.

Engaging Readers with Square Pie/Waffle Charts
Robert Kosara; September 7, 2008; 5 commentsEngaging viewers with interesting depictions of data always bears the risk of creating misleading or unreadable graphics. The square pie chart (or waffle chart) strikes a good balance between being interesting and not distorting the data. Here is an argument for the power of the pie and against the boredom of the bar.

Treemaps
Robert Kosara; April 13, 2008Treemaps are the single most used 'real' InfoVis technique there is. Interestingly, they have proven to be even more useful for unstructured data than for the hierarchies which they were originally developed for. Here is a brief history, discussion of current practical uses, and of the importance of treemaps for the adoption and understanding of information visualization.

Sets of Possible Occurrences
Robert Kosara; October 24, 2006Visual representations of time are particularly interesting, because they seem so logical. A point in time is a point in the visualization, an interval is a line. But things are not always that simple: planning and temporal uncertainty require more powerful visual tools. Sets of Possible Occurrences (SOPOs) are an example of a visual representation of time that is very flexible and powerful – and totally unintuitive.





